Carl Stalling was a silent-movie organist in Kansas in the 1910s and early 1920s who later went to work for his friend Walt Disney, composing soundtracks for his new cartoons. His involvement in one of the most important cartoons of all time, Skeleton Dance, was crucial; it was entirely set to Stalling’s music.
But he is best known, of course, for his work with Warner Brothers, with whom he started in 1936. Every WB cartoon for the next 22 years featured Stalling’s music, making him one the most-recognized composers in history (though certainly not the best-known). With Warner Brothers, Stalling could pull any composition from their massive music publishing subsidiary, and mash it up for his own needs. His rapidly-changing tempos and instrumentations along with his proto–sound collage would make him an unknowing avant-garde pioneer.
Stalling’s work wasn’t generally appreciated until 1990, when producer Hal Wilner put together the CD The Carl Stalling Project. After searching for a long time through Warner Brothers’ archives, Wilner managed to find the original music tapes of most of the cartoons, without the overdubbed voices. The CD he put together was a fantastic overview of Stalling’s career, with a combination of entire cartoon soundtracks in addition to collected cues from various decades.
The Carl Stalling Project has additional significance for me; it was the first CD I ever bought. I went to my favorite record store in 1990 to pick it up: “What do you mean, it’s only available on CD?”, I still remember asking the clerk. I couldn’t believe they would issue something on CD but not on LP. I bought it anyway, although I wouldn’t have a player for it for another year; any time I went to a friend’s house with a CD player, I would bring it along.
As it happens, it wasn’t only available on CD; it was also sold on cassette. And the cassette had a bonus track, oddly enough: the music from the 1956 cartoon Stupor Duck. Cassettes have a slightly longer running time than CDs but this is still the only time I know of this happening.
While the CD is still available, record companies haven’t sold pre-recorded cassettes in years. So this long out-of-print track is presented below. If you like it, be sure to buy a copy of the CD. And if you already have MP3s of the CD on your hard drive, go ahead and add this; you’ll have to renumber the tracks to make room. This is the new track #11, and it goes between “Medley: Dinner Music for a Pack of Hungry Cannibals” and “Carl Stalling with Milt Franklyn in Session”.